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	<title>Quintessence des Profonds Principes de l&#039;Atiyoga - Historique des versions</title>
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	<updated>2026-04-26T20:04:54Z</updated>
	<subtitle>Historique des versions pour cette page sur le wiki</subtitle>
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	<entry>
		<id>http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=8466&amp;oldid=prev</id>
		<title>Jean-Luc Achard : /* Signification littérale */</title>
		<link rel="alternate" type="text/html" href="http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=8466&amp;oldid=prev"/>
		<updated>2023-06-25T15:51:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Signification littérale&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 25 juin 2023 à 17:51&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Ligne 2 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 2 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Signification littérale==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Signification littérale==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;—&amp;#039;&amp;#039;a ti&amp;#039;&amp;#039;: [[Atiyoga]]; —&amp;#039;&amp;#039;zab&amp;#039;&amp;#039;: profonds; —&amp;#039;&amp;#039;don&amp;#039;&amp;#039;: principes; —&amp;#039;&amp;#039;snying po&amp;#039;&amp;#039;: quintessence.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;—&amp;#039;&amp;#039;a ti&amp;#039;&amp;#039;: [[Atiyoga]]; —&amp;#039;&amp;#039;zab&amp;#039;&amp;#039;: profonds; —&amp;#039;&amp;#039;don&amp;#039;&amp;#039;: principes; —&amp;#039;&amp;#039;snying po&amp;#039;&amp;#039;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;quintessence&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Définition==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Définition==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jean-Luc Achard</name></author>
	</entry>
	<entry>
		<id>http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=8465&amp;oldid=prev</id>
		<title>Jean-Luc Achard : /* Structure */</title>
		<link rel="alternate" type="text/html" href="http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=8465&amp;oldid=prev"/>
		<updated>2023-06-25T15:50:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Structure&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 25 juin 2023 à 17:50&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Ligne 27 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 27 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;La [[Méthode pour Conférer la Consécration au Dynamisme du Discernement, élaborée à la manière d&amp;#039;un Appendice, extraite du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i rig pa&amp;#039;i rtsal dbang skur thabs lhan thabs kyi tshul du spros pa&amp;#039;&amp;#039;) ;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;La [[Méthode pour Conférer la Consécration au Dynamisme du Discernement, élaborée à la manière d&amp;#039;un Appendice, extraite du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i rig pa&amp;#039;i rtsal dbang skur thabs lhan thabs kyi tshul du spros pa&amp;#039;&amp;#039;) ;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;Les [[Instructions et Visualisations du Dzogchen Ati Zabdön Nyingpo, composée en forme de Notes appelées Parures Contemplatives de Samantabhadra]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs pa chen po a ti zab don snying po&amp;#039;i khrid dmigs zin bris su spel ba kun bzang dgongs rgyan zhes bya ba&amp;#039;&amp;#039;) ;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;Les [[Instructions et Visualisations du Dzogchen Ati Zabdön Nyingpo, composée en forme de Notes appelées Parures Contemplatives de Samantabhadra]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs pa chen po a ti zab don snying po&amp;#039;i khrid dmigs zin bris su spel ba kun bzang dgongs rgyan zhes bya ba&amp;#039;&amp;#039;) ;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;Les [[Instructions de la Grande Perfection sur &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;l&amp;#039;Eradication de &lt;/del&gt;la &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rigidité &lt;/del&gt;d&amp;#039;après l&amp;#039;Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;i rdzogs chen ka dag gi khrid&amp;#039;&amp;#039;);&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;Les [[Instructions de la Grande Perfection sur la &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pureté Primordiale &lt;/ins&gt;d&amp;#039;après l&amp;#039;Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;i rdzogs chen ka dag gi khrid&amp;#039;&amp;#039;);&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;[[Notes sur la Succession des Visualisations associées à la Pratique des Quatre Préliminaires propres aux Instructions de l&amp;#039;Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;i khrid kyi sngon &amp;#039;gro bzhi sbyor gyi dmigs rim zin bris&amp;#039;&amp;#039;).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;[[Notes sur la Succession des Visualisations associées à la Pratique des Quatre Préliminaires propres aux Instructions de l&amp;#039;Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;i khrid kyi sngon &amp;#039;gro bzhi sbyor gyi dmigs rim zin bris&amp;#039;&amp;#039;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jean-Luc Achard</name></author>
	</entry>
	<entry>
		<id>http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=7225&amp;oldid=prev</id>
		<title>Jean-Luc Achard : /* Définition */</title>
		<link rel="alternate" type="text/html" href="http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=7225&amp;oldid=prev"/>
		<updated>2021-10-04T07:49:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Définition&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 4 octobre 2021 à 09:49&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Ligne 5 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 5 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Définition==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Définition==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cette &amp;#039;&amp;#039;Quintessence&amp;#039;&amp;#039; est un cycle révélé par [[Terdak Lingpa]] (gTer bdag gling pa, 1646–1714) comprenant la somme des instructions de la [[Section des Préceptes]] selon les traditions combinées de [[Padmasambhava]], [[Vimalamitra]], et [[Vairocana]]. Le cycle est caractérisé par une très grande clarté d&amp;#039;exposition.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cette &amp;#039;&amp;#039;Quintessence&amp;#039;&amp;#039; est un cycle révélé par [[Terdak Lingpa]] (gTer bdag gling pa, 1646–1714) comprenant la somme des instructions de la [[Section des Préceptes]] selon les traditions combinées de [[Padmasambhava]], [[Vimalamitra]], et [[Vairocana &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(8e siècle)&lt;/ins&gt;]]. Le cycle est caractérisé par une très grande clarté d&amp;#039;exposition.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Structure==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Structure==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jean-Luc Achard</name></author>
	</entry>
	<entry>
		<id>http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=6572&amp;oldid=prev</id>
		<title>Jean-Luc Achard : /* Structure */</title>
		<link rel="alternate" type="text/html" href="http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=6572&amp;oldid=prev"/>
		<updated>2020-07-31T15:34:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Structure&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 31 juillet 2020 à 17:34&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Ligne 27 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 27 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;La [[Méthode pour Conférer la Consécration au Dynamisme du Discernement, élaborée à la manière d&amp;#039;un Appendice, extraite du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i rig pa&amp;#039;i rtsal dbang skur thabs lhan thabs kyi tshul du spros pa&amp;#039;&amp;#039;) ;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;La [[Méthode pour Conférer la Consécration au Dynamisme du Discernement, élaborée à la manière d&amp;#039;un Appendice, extraite du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i rig pa&amp;#039;i rtsal dbang skur thabs lhan thabs kyi tshul du spros pa&amp;#039;&amp;#039;) ;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;Les [[Instructions et Visualisations du Dzogchen Ati Zabdön Nyingpo, composée en forme de Notes appelées Parures Contemplatives de Samantabhadra]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs pa chen po a ti zab don snying po&amp;#039;i khrid dmigs zin bris su spel ba kun bzang dgongs rgyan zhes bya ba&amp;#039;&amp;#039;) ;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;Les [[Instructions et Visualisations du Dzogchen Ati Zabdön Nyingpo, composée en forme de Notes appelées Parures Contemplatives de Samantabhadra]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs pa chen po a ti zab don snying po&amp;#039;i khrid dmigs zin bris su spel ba kun bzang dgongs rgyan zhes bya ba&amp;#039;&amp;#039;) ;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;Les [[Instructions de la Grande Perfection sur l&amp;#039;Eradication de la Rigidité d&amp;#039;après l&amp;#039;Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;i rdzogs chen ka dag gi khrid&amp;#039;&amp;#039;).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;Les [[Instructions de la Grande Perfection sur l&amp;#039;Eradication de la Rigidité d&amp;#039;après l&amp;#039;Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;i rdzogs chen ka dag gi khrid&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;);&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;#&amp;#039;&amp;#039;[[Notes sur la Succession des Visualisations associées à la Pratique des Quatre Préliminaires propres aux Instructions de l&amp;#039;Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;i khrid kyi sngon &amp;#039;gro bzhi sbyor gyi dmigs rim zin bris&lt;/ins&gt;&amp;#039;&amp;#039;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Le texte no. 18 est une composition de la fille de [[Terdak Lingpa]], [[Mingyur Peldrön]] (1699–1769), tandis que le no. 19 est une composition de son frère, [[Lochen Dharma Śrī]] (1654–1717).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Le texte no. 18 est une composition de la fille de [[Terdak Lingpa]], [[Mingyur Peldrön]] (1699–1769), tandis que le no. 19 est une composition de son frère, [[Lochen Dharma Śrī]] (1654–1717)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Le texte no. 20 est une composition de Dragkarwa Chökyi Wangchuk (Brag dkar ba Chos kyi dbang phyug) incluse dans son &amp;#039;&amp;#039;gsung &amp;#039;bum&amp;#039;&amp;#039;, Kathmandu, 2011, vol. &amp;#039;&amp;#039;Cha&amp;#039;&amp;#039;, p. 417-448&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;----&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;----&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Jean-Luc Achard 12 juin 2020 à 16:36 (CEST)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Jean-Luc Achard 12 juin 2020 à 16:36 (CEST)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Catégorie:Littérature originale]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Catégorie:Littérature originale]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jean-Luc Achard</name></author>
	</entry>
	<entry>
		<id>http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=6492&amp;oldid=prev</id>
		<title>Jean-Luc Achard : A protégé « Quintessence des Profonds Principes de l&#039;Atiyoga » ([Modifier=Autoriser uniquement les administrateurs] (infini) [Renommer=Autoriser uniquement les administrateurs] (infini)) [protection en cascade]</title>
		<link rel="alternate" type="text/html" href="http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=6492&amp;oldid=prev"/>
		<updated>2020-06-12T14:37:41Z</updated>

		<summary type="html">&lt;p&gt;A protégé « &lt;a href=&quot;/wiki/Quintessence_des_Profonds_Principes_de_l%27Atiyoga&quot; title=&quot;Quintessence des Profonds Principes de l&amp;#039;Atiyoga&quot;&gt;Quintessence des Profonds Principes de l&amp;#039;Atiyoga&lt;/a&gt; » ([Modifier=Autoriser uniquement les administrateurs] (infini) [Renommer=Autoriser uniquement les administrateurs] (infini)) [protection en cascade]&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 12 juin 2020 à 16:37&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;fr&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(Aucune différence)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Jean-Luc Achard</name></author>
	</entry>
	<entry>
		<id>http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=6491&amp;oldid=prev</id>
		<title>Jean-Luc Achard : Page créée avec « La Quintessence des Profonds Principes de l&#039;Atiyoga (&#039;&#039;A ti zab don snying po&#039;&#039;)  ཨ་ཏི་ཟབ་དོན་སྙིང་པོ།  ==Signification littérale=... »</title>
		<link rel="alternate" type="text/html" href="http://www.wikidz.artremy.com/index.php?title=Quintessence_des_Profonds_Principes_de_l%27Atiyoga&amp;diff=6491&amp;oldid=prev"/>
		<updated>2020-06-12T14:36:56Z</updated>

		<summary type="html">&lt;p&gt;Page créée avec « La Quintessence des Profonds Principes de l&amp;#039;Atiyoga (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;&amp;#039;)  ཨ་ཏི་ཟབ་དོན་སྙིང་པོ།  ==Signification littérale=... »&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nouvelle page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;La Quintessence des Profonds Principes de l&amp;#039;Atiyoga (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;&amp;#039;)  ཨ་ཏི་ཟབ་དོན་སྙིང་པོ།&lt;br /&gt;
&lt;br /&gt;
==Signification littérale==&lt;br /&gt;
—&amp;#039;&amp;#039;a ti&amp;#039;&amp;#039;: [[Atiyoga]]; —&amp;#039;&amp;#039;zab&amp;#039;&amp;#039;: profonds; —&amp;#039;&amp;#039;don&amp;#039;&amp;#039;: principes; —&amp;#039;&amp;#039;snying po&amp;#039;&amp;#039;: quintessence.&lt;br /&gt;
&lt;br /&gt;
==Définition==&lt;br /&gt;
Cette &amp;#039;&amp;#039;Quintessence&amp;#039;&amp;#039; est un cycle révélé par [[Terdak Lingpa]] (gTer bdag gling pa, 1646–1714) comprenant la somme des instructions de la [[Section des Préceptes]] selon les traditions combinées de [[Padmasambhava]], [[Vimalamitra]], et [[Vairocana]]. Le cycle est caractérisé par une très grande clarté d&amp;#039;exposition. &lt;br /&gt;
&lt;br /&gt;
==Structure==&lt;br /&gt;
La collection se compose des ouvrages suivants : &lt;br /&gt;
#&amp;#039;&amp;#039;L&amp;#039;[[Histoire du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i lo rgyus&amp;#039;&amp;#039;) ;&lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Instructions sur les Etapes de la Voie - Vertus Initiales du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i dang por dge ba lam stegs kyi gdams pa&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Instructions sur l&amp;#039;Eradication de la Rigidité - Vertus Médianes du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i bar du dge ba khregs chod kyi gdams pa&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Instructions du Franchissement du Pic - Vertus Finales du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039;  (&amp;#039;&amp;#039;rDzogs pa chen po a ti zab don snying po&amp;#039;i mtha&amp;#039; mar dge ba thod rgal gyi gdams pa&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Confrontations au Franchissement du Pic du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i thod rgal gyi ngo sprod&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Instructions pour les Retraites dans l&amp;#039;Obscurité et la Pression de l&amp;#039;Océan]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i ar gtad mun khrid kyi gdams pa&amp;#039;&amp;#039;); &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Instructions Secrétissimes du Fruit Manifeste du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs pa chen po a ti don snying po&amp;#039;i mngon sum &amp;#039;bras bu&amp;#039;i gdams pa mchog tu gsang ba&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Sept Confrontations Extérieures, extraites des Vingt-et-Une Confrontations du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i ngo sprod nyer gcig las : phyi&amp;#039;i ngo sprod bdun&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Sept Confrontations Intérieures du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i nang gi ngo sprod bdun&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Sept Confrontations Secrètes du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i gsang ba&amp;#039;i ngo sprod bdun&amp;#039;&amp;#039;) ;&lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Instructions sur les Signes et leur Paroxysme selon le Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i rtags tshad kyi gdams pa&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Le [[Yoga du Jour et de la Nuit du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i nyin mtshan gyi rnal &amp;#039;byor&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;La [[Consécration au Dynamisme du Discernement du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i rig pa&amp;#039;i rtsal dbang&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;La [[Pratique Quotidienne des Préliminaires extraite du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i sngon &amp;#039;gro&amp;#039;i chos spyod zur du phyung ba&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;[[Notes sur la Pratique du Yoga de la Nuit selon le Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i mtshan mo&amp;#039;i rnal &amp;#039;byor nyams su len pa&amp;#039;i zin bris&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;La [[Prière d&amp;#039;Aspiration Associée aux Visualisations de l&amp;#039;Eradication de la Rigidité selon le Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i khregs chod kyi dmigs dang &amp;#039;brel ba&amp;#039;i smon lam&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;La [[Méthode pour Conférer la Consécration au Dynamisme du Discernement, élaborée à la manière d&amp;#039;un Appendice, extraite du Dzogchen Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs chen a ti zab don snying po&amp;#039;i rig pa&amp;#039;i rtsal dbang skur thabs lhan thabs kyi tshul du spros pa&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Instructions et Visualisations du Dzogchen Ati Zabdön Nyingpo, composée en forme de Notes appelées Parures Contemplatives de Samantabhadra]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;rDzogs pa chen po a ti zab don snying po&amp;#039;i khrid dmigs zin bris su spel ba kun bzang dgongs rgyan zhes bya ba&amp;#039;&amp;#039;) ; &lt;br /&gt;
#&amp;#039;&amp;#039;Les [[Instructions de la Grande Perfection sur l&amp;#039;Eradication de la Rigidité d&amp;#039;après l&amp;#039;Ati Zabdön Nyingpo]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;A ti zab don snying po&amp;#039;i rdzogs chen ka dag gi khrid&amp;#039;&amp;#039;). &lt;br /&gt;
&lt;br /&gt;
Le texte no. 18 est une composition de la fille de [[Terdak Lingpa]], [[Mingyur Peldrön]] (1699–1769), tandis que le no. 19 est une composition de son frère, [[Lochen Dharma Śrī]] (1654–1717).&lt;br /&gt;
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Jean-Luc Achard 12 juin 2020 à 16:36 (CEST)&lt;br /&gt;
[[Catégorie:Littérature originale]]&lt;/div&gt;</summary>
		<author><name>Jean-Luc Achard</name></author>
	</entry>
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